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Betham-Edwards, Matilda, 1836-1919

"Holidays in Eastern France"

Other
interiors are more magnificent in architectural display, none are
lovelier than this, and there is nothing to mar the general harmony, no
gilding or artificial flowers, no ecclesiastical trumpery, no
meretricious decoration. We find here the glorious art of painting on
glass in its perfection, and some of the finest in the Cathedral, as
well as in other churches here, are the work of a celebrated Troyen,
Linard Gonthier.
A sacristan is always at hand to exhibit the treasury, worth, so it is
said, some millions of francs, and which is to be commended to all
lovers of jewels and old lace. The latter, richest old guipure, cannot
be inspected by an amateur, or, indeed, a woman, without pangs. Such
treasures as these, if not appropriated to their proper use, namely
dress and decoration, should, at least, be exhibited in the Town Museum,
where they might be seen and studied by the artistic. There are dozens
of yards of this matchless guipure, but, of course, few eyes are ever
rejoiced by the sight of it; and as I turned from one treasure to
another, gold and silver ecclesiastical ornaments, carved ivory coffers,
enamels, cameos, embroideries, inlaid reliquaries and tapestries, I was
reminded of a passage in Victor Hugo's last poem--_Le Pape_--wherein the
Pope of his imagination, thus makes appeal to the Cardinals and Bishops
in conclave:
"Pretre, a qui donc as-tu pris tes richesses? Aux pauvres.


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