They have revived
Monteverde's _Orfeo_ and his _Incoronazione di Poppea_, which had been
forgotten these three centuries; and it was following an interest
created by repeated performances of Rameau at the _Schola_[233] that
_Dardanus_ was performed at Dijon under M. d'Indy's direction, _Castor
et Pollux_ at Montpellier under M. Charles Bordes' direction, and that
in 1908 the Opera at Paris gave _Hippolyte et Aricie_. Branches of the
_Schola_ have, been started at Lyons, Marseilles, Bordeaux, Avignon,
Montpellier, Nancy, Epinal, Montlucon, Saint-Chamond, and
Saint-Jean-deLuz.[234] A publishing house has been associated with the
School at Paris; and from this we get Reviews, such as the _Tribune de
Saint-Gervais_; publications of old music, such as the _Anthologie des
maitres religieux primitifs des XVe, XVIe, et XVIIe siecles_, edited by
Charles Bordes; the _Archives des maitres de l'orgue des XVIe, XVIIe, et
XVIIIe siecles_, edited by Alexandre Guilmant and Andre Pirro; the
_Concerts spirituels de la Schola_, the new editions of _Orfeo_, and the
_Incoronazione di Poppea_, edited by M. Vincent d'Indy; and publications
of modern music, such as the _Collection du chant populaire_, the
_Repertoire moderne de musique vocale et d'orgue_, and, notably, the
_Edition mutuelle_, published by the composers themselves, whose
property it is.
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