Only once or twice have I seen any thing like an approach towards the
representations of the _scriptural_ idea. One is this painting by
Raphael. Another is by him, and is called Madonna Maison d'Alba: of
this I have seen only a copy; it might have been painted on the words,
"Now Mary kept all these things, and pondered them in her heart." The
figure is that of a young Jewess, between girl and womanhood, in whose
air and eye are expressed at once the princess of the house of David,
the poetess, and the thoughtful sequestered maiden. She is sitting on
the ground, the book of the prophets in one hand, lying listless at
her side; the other hand is placed beneath the chin of her infant son,
who looks inquiringly into her face. She does not see him--her eye has
a sorrowful, far-darting look, as if beyond this flowery childhood she
saw the dim image of a cross and a sepulchre. This was Mary, I have
often thought that, in the reaction from the idolatry of Romanism, we
Protestants were in danger of forgetting the treasures of religious
sweetness, which the Bible has given us in her brief history.
It seems to me the time demands the forming of a new school of art
based upon Protestant principles.
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