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Various

"Punch, or the London Charivari, Volume 103, September 10, 1892"

--AN EPISODE, IN THE STYLE OF STERNE.
"_Le Luthier de Cremone_," observed EUGENIUS, "is a pathetic story."
"Indeed, EUGENIUS," replied YORICK, "it is extremely touching. I
protest I never read, or hear it, without emotion."
"The violin," pursued EUGENIUS, "most sensitive, and, as it were,
soulful of human instruments, lends itself, with particular aptness,
to the purposes of literary pathos."
"Dear Sensibility!" said I, "source inexhausted of all that is
precious in our (poetical) joys, or costly in our (dramatic) sorrows!"
"It were well," continued YORICK, drily, "if it were also the source
inexhausted of more that is quick in our sympathy, and practical in
our beneficence. It is scarcely in the columns of the daily news-sheet
that Sensibility usually seeks its much-sought stimulus. And yet but
lately, in the corner of my paper, I encountered a piteous story that
'dear Sensibility' (had it been more romantically environed) might
deliciously have luxuriated in. I protest 'twas as pathetic as
those of MARIA LE FEVRE, or LA FLEUR.


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