_ for }
2 statues in brasse, the one of his late } 100 0 0
Ma'ty, and the other of our now } 70 0 3
Souerainge lo: King Charles[3] }
More to him 60_li._, in p't of 120li. for a
bust of brasse of his late Ma'ty, and
40_li._ for carrying and erecting 2
figures at Winchester 100 0 0
Richard Delamair for making divers }
Mathematicall Instruments, and } 100 0 0
other services } 68 0 0
[Footnote 3: Qy. the statue now at Charing Cross.]
* * * * *{318}
QUERIES.
QUERIES ON OUTLINE.
The boundary between a surface represented and its background received
two different treatments in the hands of artists who have the highest
claims on our respect. Some, following the older painters as they were
followed by Raphael and Albert Durer, bring the surface of the figure
abruptly against its background. Others, like Murillo and Titian, melt
the one into the other, so that no pencil could trace the absolute limit
of either. Curiously enough, though for very obvious reasons, the
Daguerreotype seems to favour one method, the Calotype the other.
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