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Various

"English literary criticism"

This is also one
part of nature, one appearance which the glow-worm presents, and that
not the least interesting; so poetry is one part of the history of the
human mind, though it is neither science nor philosophy. It cannot be
concealed, however, that the progress of knowledge and refinement has
a tendency to circumscribe the limits of the imagination, and to clip
the wings of poetry. The province of the imagination is principally
visionary, the unknown and undefined: the understanding restores things
to their natural boundaries, and strips them of their fanciful
pretensions. Hence the history of religious and poetical enthusiasm
is much the same; and both have received a sensible shock from the
progress of experimental philosophy. It is the undefined and uncommon
that gives birth and scope to the imagination; we can only fancy what
we do not know. As in looking into the mazes of a tangled wood we fill
them with what shapes we please--with ravenous beasts, with caverns
vast, and drear enchantments--so in our ignorance of the world about
us, we make gods or devils of the first object we see, and set no
bounds to the wilful suggestions of our hopes and fears:
And visions, as poetic eyes avow,
Hang on each leaf and cling to every bough.


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