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Various

"English literary criticism"

For the representing of so strange a power in love, procureth
delight: and the scornfulness of the action stirreth laughter. But I
speak to this purpose, that all the end of the comical part be not
upon such scornful matters as stir laughter only: but mixed with it,
that delightful teaching which is the end of poesy. And the great fault
even in that point of laughter, and forbidden plainly by Aristotle,
is that they stir laughter in sinful things; which are rather execrable
than ridiculous: or in miserable, which are rather to be pitied than
scorned. For what is it to make folks gape at a wretched beggar, or
a beggarly clown? or, against law of hospitality, to jest at strangers,
because they speak not English so well as we do? what do we learn,
sith it is certain
_Nil habet infelix paupertas durius in se,
Quam quod ridiculos homines facit:_
but rather a busy-loving courtier; a heartless threatening Thraso; a
self-wise-seeming schoolmaster; an awry-transformed traveller? These
if we saw walk in stage names, which we play naturally, therein were
delightful laughter, and teaching delightfulness: as in the other, the
tragedies of Buchanan do justly bring forth a divine admiration.


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