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Various

"English literary criticism"

The poet nameth Cyrus or Aneas no other way than
to show what men of their fames, fortunes, and estates should do.
Their third is, how much it abuseth men's wit, training it to wanton
sinfulness and lustful love; for indeed that is the principal, if not
the only abuse I can hear alleged. They say the comedies rather teach
than reprehend amorous conceits. They say the lyric is larded with
passionate sonnets. The elegiac weeps the want of his mistress. And
that even to the heroical, Cupid hath ambitiously climbed. Alas, Love!
I would thou couldst as well defend thyself as thou canst offend others.
I would those on whom thou dost attend could either put thee away or
yield good reason why they keep thee. But grant love of beauty to be
a beastly fault, although it be very hard, sith only man and no beast
hath that gift, to discern beauty. Grant that lovely name of love to
deserve all hateful reproaches: although even some of my masters the
philosophers spent a good deal of their lamp-oil in setting forth the
excellency of it. Grant, I say, whatsoever they will have granted;
that not only love, but lust, but vanity, but (if they list) scurrility,
possesseth many leaves of the poet's books: yet think I, when this is
granted, they will find their sentence may with good manners put the
last words foremost; and not say that poetry abuseth man's wit, but
that man's wit abuseth poetry.


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