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Various

"English literary criticism"

Besides, one word
so as it were begetting another, as be it in rhyme or measured verse,
by the former a man shall have a near guess to the follower. Lastly,
even they that have taught the art of memory have showed nothing so
apt for it, as a certain room divided into many places well and
thoroughly known. Now, that hath the verse in effect perfectly: every
word having his natural seat, which seat must needs make the words
remembered. But what needeth more in a thing so known to all men? Who
is it that ever was a scholar, that doth not carry away some verses
of Virgil, Horace, or Cato [Footnote: The moralist. His elegiacs are
constantly quoted by medieval writers, _e.g._ in _Piers Plowman_.],
which in his youth he learned, and even to his old age serve him for
hourly lessons? But the fitness it hath for memory is notably proved
by all delivery of arts: wherein for the most part, from grammar to
logic, mathematic, physic, and the rest, the rules chiefly necessary
to be borne away are compiled in verses. So that, verse being in itself
sweet and orderly, and being best for memory, the only handle of
knowledge, it must be in jest that any man can speak against it.


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