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Various

"English literary criticism"


iii. 519-524.]--a stupid and pointless vulgarism--and is branded as
clothing "the most incongruous ideas in the most uncouth language".
The author is dismissed with the following amenities: "Being bitten
by Leigh Hunt's insane criticism, he more than rivals the insanity of
his poetry"; and we are half-surprised not to find him told, as he was
by _Blackwood_, to "go back to the shop, Mr. John; back to the plasters,
pills, and ointment-boxes". [Footnote: _Quarterly Review_, xix. 204.
See _Blackwood_, vol. iii. 524; where the Reviewer sneers at "the calm,
settled, imperturbable, drivelling idiocy of _Endymion_".]
With this insolence it is satisfactory to contrast the verdict of the
_Edinburgh_: "We have been exceedingly struck with the genius these
poems--_Endymion_, _Lamia_, _Isabella_, _The Eve of St. Agnes_,
&c.--display, and the spirit of poetry which breathes through all their
extravagance. . . . They are at least as full of genius as absurdity."
Of _Hyperion_ the Reviewer says: "An original character and distinct
individuality is bestowed upon the poet's mythological persons.


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