As the movement of our time
is toward world acquaintanceship, the desire of individuals to limit
their experiences for the sake of intensifying them, signifies from a
social point of view as well as a personal, a neurotic tendency. There
is a common and false supposition that the neurotic temperament is
induced in the world of art. It is true that an art environment
attracts people whose creative impulse is feeble or not sufficiently
strong to sublimate the desire for intensive personal excitation.
Such people choose art associations _because_ they are limited to
individual expression and not because of the overpowering necessity to
do work which is creative. As the era in which we live represents a
struggle for associated work and common interests and its highest
concept is opposed to limited interests and autocratic rule, we may
well give our best endeavor to realizing creative impulse in the field
of associated effort, in the hope that the field of art will be some
day coextensive with life, and that its expressions will not be
confined to the limited world of sculptors, painters, musicians and
poets.
End of Project Gutenberg's Creative Impulse in Industry, by Helen Marot
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