Monti responded by a letter to this poet, in which
he declared that his _Bassvilliana_ was no expression of his own
feelings, but that he had merely written it to escape the fury of
Bassville's murderers, who were incensed against him as Bassville's
friend! But for all this the _Bassvilliana_ was publicly burnt before
the cathedral in Milan, and Monti was turned out of a government place
he had got, because "he had published books calculated to inspire
hatred of democracy, or predilection for the government of kings, of
theocrats and aristocrats." The poet was equal to this exigency; and
he now reprinted his works, and made them praise the French and the
revolutionists wherever they had blamed them before; all the bad
systems and characters were depicted as monarchies and kings and
popes, instead of anarchies and demagogues. Bonaparte was exalted,
and poor Louis XVI., sent to heaven with so much ceremony in the
_Bassvilliana_, was abased in a later ode on Superstition.
Monti was amazed that all this did not suffice "to overcome that fatal
combination of circumstances which had caused him to be judged as
the courtier of despotism." "How gladly," he writes, "would I have
accepted the destiny which envy could not reach! But this scourge of
honest men clings to my flesh, and I cannot hope to escape it, except
I turn scoundrel to become fortunate!" When the Austrians returned to
Milan, the only honest man unhanged in Italy fled with other democrats
to Paris, whither the fatal combination of circumstances followed him,
and caused him to be looked on with coldness and suspicion by the
republicans.
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