All at once, at a word from
Valmond, he broke into the Marseillaise, with his voice and with his
drum. To these Frenchmen of an age before the Revolution, the
Marseillaise had only been a song. Now in their ignorant breasts there
waked the spirit of France, and from their throats there burst out, with
a half-delirious ecstasy:
"Allons, enfants de la patrie,
Le jour de gloire est arrive."
As they neared the Louis Quinze, a dozen men, just arrived in the
village, returned from river-driving, carried away by the chant,
tumultuously joined in the procession, and so came on in a fever of vague
patriotism. A false note in the proceedings, a mismove on the part of
Valmond, would easily have made the thing ridiculous; but even to Madame
Chalice, with her keen artistic sense, it had a pathetic sort of dignity,
by virtue of its rude earnestness, its raw sincerity. She involuntarily
thought of the great Napoleon and his toy kingdom of Elba, of Garibaldi
and his handful of patriots. There were depths here, and she knew it.
"Even the pantaloon may have a soul," she said; "or a king may have a
heart."
In front of the Louis Quinze, Valmond waved his hand for a halt, and the
ancient drummer wheeled and faced him, fronting the crowd. Valmond was
pale, and his eyes burned like restless ghosts. Surely the Cupid bow of
the thin Napoleonic lips was there, the distant yet piercing look.
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